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Comments
My main criticism is the composition, and it's a very minute detail that screams at me. Hopefully this will make sense; the bird hurts it for me because of where it is and where it's facing. I think it would help if it was flying away from Blank (opposite from where his feet are facing I mean), was a little bigger to define it's shape more, and further away from the other elements of the image. I just feel that it's a vital part of the image and that's not being emphasized enough.
By the way, a REAL friend would critique my paintings. Just sayin'.
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I hope you're not one of those morbid fellows, Velveteen.
I really do appreciate the feedback- i'm pleased to have acheived what I was trying to do, at least on some levels. I was actually thinking about doing this one in ink and duotone in order to blow the contrast out and make those shadows black, but getting the pose right was hard enough in pencil, and I didn't want to muss it.
In the end, being a chicken drove me away from the true potential of this piece, and I may do it again someday.
I wanted it to be as empty as possible, and I felt the bird drew attention to that open, lonely sky. I didn't want the clouds too dark, because it was meant to seem like a very hot day, but without something up there, it was just an empty page.
I do need to work on my perspective though- the bird was indeed essential, and lazy.
I think the ultimate goal with the pose was to express how little he cares about what's happening. In the past the thing I hated most about touching on this subject was how dramatic it ended up being, and that dispelled the atmosphere for me. He doesn't care what he's done to himself, but the overwhelming shame keeps him from facing the viewers. He wants to be alone, and has nothing more to say.
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GIVE THESE PEOPLE LOVE~!
[link] <- a man of innocent sickness.
[link] <- my partner in crime!
[link] <- you want this.
[link] <- i'd so marry her.
What I'm getting at is that dancing around cliche seems to detract from this. It pains me to say this, but this pose actually just conveys that his arm is hurt and he's calm about it. I love the pose, but I didn't get what you were going for.
Also, you say he's looking away from the "audience," but that requires him to be aware of such an audience. I assumed there was a fourth wall, so that makes the shame theme unnoticeable.
I really like this image, I'm just saying the message didn't translate well for me. SO you know what? I'll add my own message and love it anyway
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I hope you're not one of those morbid fellows, Velveteen.
I'll keep trying to clarify and define what i'm going for in the future. I guess just because the experience I have with not wanting to live is so dreamy and unattatched to reality that Blank becomes an airhead about it, too. I've come into contact with several kinds of severe depression here and there, and Blank's is one developed out of detatchment. The world isn't the way he wants it to be, he feels overwhelmingly worthless, and so he withdraws completely into himself (or tries to).
In a way I guess it's even more dramatic to have him looking away, aknowledging that he's being watched by us, but it was an important gut feeling not to be able to see his face. That calm detatchment was supposed to contrast with the tense atmosphere of the situation, creating... I don't know, perhaps a sick feeling? All of these 100 theme peices have been begun and executed solely on gut feelings, so it's hard to put logic behind them. I just wanted this scene to be a huge downer to exaggerate the bright energy of Light.
Thank you for giving me an excuse to gush about what was in my head
--
GIVE THESE PEOPLE LOVE~!
[link] <- a man of innocent sickness.
[link] <- my partner in crime!
[link] <- you want this.
[link] <- i'd so marry her.
--
I
Anyway, I think you could have better communicated a certain degree of nonchalance if you tone down the amount of attention he's paying to that arm.
Why am I critiquing my favorite one so much?
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I hope you're not one of those morbid fellows, Velveteen.
I don't know, from what you just said, it seems to me he's got apathy and depression going on. I might be on crack. Just saying.
I know i've mentioned like eighteen times he's supposed to be all, "I don't care about this arm", but the gesture is also supposed to say, 'Yeah, you can pretend this doesn't hurt, but you are upset inside, you asshole. You can't get away from this'.
Contradiction. So much contradiction. What am I doing. xD
--
GIVE THESE PEOPLE LOVE~!
[link] <- a man of innocent sickness.
[link] <- my partner in crime!
[link] <- you want this.
[link] <- i'd so marry her.
Thanks for all the like and the
<3
--
GIVE THESE PEOPLE LOVE~!
[link] <- a man of innocent sickness.
[link] <- my partner in crime!
[link] <- you want this.
[link] <- i'd so marry her.
--
I hope you're not one of those morbid fellows, Velveteen.
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